It’s as relevant as ever, I’d have thought. Skim through the terrorist attacks of the past few years and it’s done in the name of Islam 80%+ of the time. Surely that makes it fair game for fiction.
You could make the terrorists Hindus or Buddhists, but it wouldn’t ring true, would it...
I enjoyed this a lot. It’s not in the same league as the original, but then none of the sequels have come close in my opinion. It’s two hours of colourful fun that zips along and has many good sequences.
It has a few flaws and had a few too many characters, but I was never bored. As before...
Yes, to steal a phrase from Marshall McLuhan, the medium is the message.
For me, the film stock is indivisible from the film. It’s all part of the experience. I want an Eighties film to have the graininess that was a feature of the image at the time in the same way I want Technicolor to look...
Personally, my ideal for a film on disc is for it to look as close as possible to how the best quality film print at the time would’ve looked.
As for Cameron and his new AI toys, I’m not surprised he’s done this as there were plenty of previous warnings, but I’d still say to him…
Hell is a City
Zabriskie Point
The Ghost of St Michaels
Olivier Olivier
Au Yeux du Monde
She (Hammer)
O Lucky Man
Le Depart (Skolimowski)
Raising the Wind
Ripoux Contre Ripoux/Le Cop 2
Personally, I think restoration is good but revisionism is bad. Once a film has been released then the creator should loses the moral (but of course not legal) right to withdraw that version.
Special editions should always be accompanied by the original.
Giulgud said that when the film was released.
The British comedy show Not the Nine O'clock News had a fake news item where the newsreader (Mel Smith) says something along the lines of, "Sir John Giulgud has complained about the scenes of sex and nudity in his film Caligula. He says they...
A few minor quibbles aside, I really enjoyed it. Unlike the dreadful Death on the Nile, it looked real with gorgeous locations and excellent cinematography. I know the other two were shot on 65mm film and this was 4K digital, but for me it’s the best-looking of the trilogy.
I know the...
I have the Eureka versions. Three Ages mostly looks great for a 100 year old film, but be prepared for several bouts of severe print damage.
Our Hospitality was very good for its age, as I recall.
This film has been delayed a year, had three sets of reshoots, has apparently cut all footage of Ben Affleck and Michael Keaton, and has a co-star involved in a scandal, and now the director is in hospital. During its production, the studio changed hands and appointed a new creative head of the...