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That's a good thought, and I hope you're right, but unless the Schwartz estate pulled a Roddenberry, I doubt it.

I don't know if the negatives exist, but as of 2014, they were not in the Paramount vaults. I know because I checked when I was working on another project. But they could easily be somewhere else. That said, my opinion is that they are not extant.

I authored classic TV on DVD discs for years and it seemed like with each new project, my mouth dropped at all the expenses I'd never thought about--most of them to do with rights issues and legal clearances. After I was given permission to publicly post FIXING THE FUGITIVE, I got steady work...

That's a great question. I can't speak for I LOVE LUCY, but mastering season one of THE ANDY GRIFFITH SHOW in HD cost a ton of money. The source material was a little soft to start with, which made it even worse. And there were other things: the cost of the rights to getting the theme music to...

If this was happening, I likely would have heard something by now, and I haven't. Of course, if it was happening, I couldn't say anything, because people who spill the beans in forums don't get hired. I think Ethan Riley is correct, however. They don't have the elements to do it even if they...