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It sure seems to be and it seems there is an across the board problem with these third-party vendors and the way studios interact with them. It’s a two-fold issue where on the studio side, studios are making unreasonable demands relative to the amount they’re paying and the deadlines they’re...

https://www.vulture.com/2023/06/spider-verse-animation-four-artists-on-making-the-sequel.html#_ga=2.47082723.598853798.1687376366-586055704.1670513375 Nobody comes out looking good in this look at the film’s creation. Certainly not Lord and Miller. But I would also argue that there’s some...

Even though it’s pretty much all digital these days, the terminology of old remains. (That’s true with digital editing as well - in the old days when editors cut actual film, they’d keep the pieces they cut in bins and would pull trims they made out of the bins and splice them together. In...

I wasn’t a fan of either of those films in general; I honestly can’t recall where the first one ended and wasn’t enjoying myself watching it so I was probably just relieved to be able to go home.

Not to put too fine a point on it, but given Lord and Miller’s prior history demonstrating an inability to follow directions, it’s a lot easier for me to believe it was their hubris rather than a professional sound mixer’s mistake.

I don’t think it should be a learning curve in 2023. The last major alteration to the theatrical audio spec was the addition of Dolby Atmos in 2012. At best, it was a mistake made in mixing that didn’t get caught until the film was out in the wild. At worst, it was hubris on the part of the...

I caught this before the revised sound mix went out but fortunately I didn’t have an issue understanding everything. I guess whatever volume settings my local theater had were sufficient. Someone forwarded me a Twitter post from Lord and Miller telling audience members they should ask...

I’m suffering from “part 1” and “part 2” fatigue far more than multiverse fatigue.