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Luke is completely correct. As James Cameron did with Titanic and Avatar, when composed for 3D home video (going from theatrical 2.35:1 to home video 1.78:1), the Fox engineers recomposed their Super 35 frame for 3D without sacrificing anything of importance in the process. I didn't do an A/B...

A<p> A sci-fi crime drama enveloped in the web of a mystery story gets the 3D conversion treatment in Alex Proyas’ <em>I, Robot</em>. With the film’s creative visuals, it’s fairly easy to understand why Fox studio executives chose this movie for a 3D conversion, but, truth to tell, the film...