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Okay. I think I am getting it. In restoring a classic movie, you and your team go through a lot of steps to get the look you want, many of which are digital (and for which, by the way, much respect). These steps ARE designed to work with REC 709 (and, perhaps, the digital cinema reference...

I guess I fall into the most who fail to understand camp, but thank you for the reply. Is it the fundamental characteristics of HDR as a tool that cause the trouble or is it how people would be forced to use the tool?

Are hyped chroma, blinding whites or fiercely orange fire fx a default feature of HDR or are they a feature of modern movies designed to look that way? In other words, HDR is capable of creating the effects that you mention, so people are maybe going a little crazy playing with their new toy...

Changing an older film by cramming it into the limitations of, say, DVD's color space was okay? Changing it by forcing it into REC 709 was okay? Because it had more capability and could better match the source than the DVD color space? Why can't HDR be used as a still more advanced tool to...