Lights of New York was a huge hit, when it was released in the summer of 1928.
Aside from Vitaphone shorts, the “Talkies” had begun in August of 1926, with Don Juan, starring John Barrymore, a silent film with a synchronized score.
In October of 1927, Warner upped the ante, with Al Jolson, in The Jazz Singer, a part-talking part-silent production.
Ten months later, Lights of New York, marked the technoligical end of the silent cinema, with a production that was wall-to-wall sound.
The film is basically a crime drama, and not a very good one.
But the import here is fully on the technology, and for that purpose, Lights of New York is one of the most important films ever created.
Image quality is quite good, with a nice representation of the gray scale. The main title sequence, and possibly other footage, is cropped on the left side, as it was derived from an element created sound aperture.
The image is pleasant dirty, and looks like a 90 year-old film should, when totally unrestored.
But again, that’s not the reason to dive into this one.
It’s all about history, and the very beginning of the sound era.
Image – 3.25
Audio – 5
Pass / Fail – Pass
Highly Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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