In terms of thriller / noir, John Farrow’s The Big Clock (1948), is not to be confused with the Judy Garland, Robert Walker film, The Clock, which concerned a smaller timepiece.
While Ray Milland is the technical lead here, Charles Laughton turns in a superb performance. Probably a good time to make note of one of the many extras, from Arrow, an interesting doc by Simon Callow on Mr. Laughton’s career. It’s worthwhile.
A fine film, in nice form, with a pleasingly cinema-like image, and quality audio. Appears to be derived from a fine grain master.
Nary a problem in sight, and absolutely worth your time, and effort.
I seem to be going through a slew of product recently, that either doesn’t stand the test of time, or was never terribly good in first release.
The Big Clock is a big exception.
Image – 4.5
Audio – 5
Upgrade from DVD- Without question
Pass / Fail – Pass
Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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