This one that has concerned me.
I’ve never seen a quality print in any gauge.
The original negative of this W. S. Van Dyke classic was gone decades ago, which left extant a couple of well used fine grains, and a duplicate printing negative. Old stock didn’t dupe well in the early days.
Which means that going in, I was prepared to grade on a curve. Not that one should, but the film is too important to give it short shrift.
After all, it’s William Powell and Myra Loy in The Thin Man (1934), with Mr. Powell playing not the titular character, but one Nick Charles.
Once past the main title, which had that normal early ’30 appearance, I expected things to continue in that manner.
I was wrong.
It appears that the wonderful folks at Warner have put almost a year into this project, to do everything possible to reclaim it from the grip of old nitrate and dupes of dupes.
While my eyes can see through certain attributes, I’m going to pretty much guarantee that even the most cinephiliac viewer, will have zero problems with this release.
It’s that good.
With 90% or thereabouts derived from the fine grains, and the rest from dupes, with months of digital clean-up, I found myself amazed at the way the disparate elements matched one another, going from cut to cut.
There’s a tiny bit of residual wear, very light scratches, that are all but covered and massaged away, but there are no real problems here.
I defy viewers to find it.
And that’s a miracle.
One of the great films of the early ’30s…
I take that back.
One of the great films, is once again available for your viewing pleasure.
And now, if you’d please serve the nuts…
Image – 4.5
Audio – 4.5
Pass / Fail – Pass
Upgrade from DVD – You’d better believe it!
Very Highly Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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