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Pro-logic encoding has nothing to do with it. Its all about Dolby's older mixes and their problems with very broad phantom centers. In short, a good chunk of Dolby mixes up until 1983 (typically ones done in England) are more likely to have a lot of dialogue bleed into front left and front...

Awaits whining by some random guy about how the dialogue in the Superman 2.0 track isn't confined to the center channel.