Yellow subtitles on B/W films have worked best for me;
but now I've learned that this is not the case for all.
I wonder if there is such a thing as a single type of subtitle that would universally work the best?
And what would they call this film if they ever decided to do a remake?
"The email"? "The Tweet"?, "The Instagram"?
Somehow, within our times, such a concept would simply not succeed nor translate as well.
And that, my friends, is why we love our catalog titles and all that's done towards the...