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Good prof.

When done properly, films were panned and scanned. When not - think The Graduate - you get a shot of two noses.

It was his, and my, preference. Fortunately, he spoke. The studio listened. That was 1988, and as I recall, the only other film handled in that manner at the time was Manhattan. I believe this pre-dated Criterion’s VistaScope or whatever it was called. Six years later, my assistant Joanne and I...