Magnificent Obsession (1954) – Criterion Blu-ray Review

4.5 Stars Douglas Sirk masterpiece gets Blu upgrade

In the 1950’s, two studios seemed to have a lock in producing melodramatic movies of high quality: 20th Century Fox (Peyton Place being the most notable example) and Universal-International. The latter studio benefited from the presence of Douglas Sirk, a director who began his career in Germany before moving to Hollywood in the 1940’s. It’s here with Magnificent Obsession – a remake of a 1935 film produced by the studio – that Sirk would really hit his stride and become a master of the melodrama. Criterion upgrades their previous DVD release with a brand new Blu-ray release of both the 1935 and 1954 versions of the movie.

Magnificent Obsession (1954)
Released: 07 Aug 1954
Rated: Not Rated
Runtime: 108 min
Director: Douglas Sirk
Genre: Drama, Romance
Cast: Jane Wyman, Rock Hudson, Agnes Moorehead, Otto Kruger
Writer(s): Lloyd C. Douglas (novel), Robert Blees (screenplay), Wells Root (adaptation), Sarah Y. Mason (based upon the screenplay by), Victor Heerman (based upon the screenplay by)
Plot: A selfish playboy enamored by a woman he seems to hurt more than he intends begins to understand a deeper meaning to their relationship.
IMDB rating: 7.1
MetaScore: N/A

Disc Information
Studio: Universal
Distributed By: Criterion Collection
Video Resolution: 1080P/AVC
Aspect Ratio: 2.00:1
Audio: English PCM 2.0
Subtitles: English SDH
Rating: Not Rated
Run Time: 1 Hr. 48 Min.
Package Includes: Blu-ray
Case Type: Clear keep case
Disc Type: BD50 (dual layer)
Region: A
Release Date: 08/20/2019
MSRP: $39.99

The Production: 4.5/5

A speedboat accident leaves playboy Bob Merrick (Rock Hudson) in need of the town’s resuscitator; however, that need also inadvertently leads to the death of the beloved Dr. Wayne Phillips at the other side of the lake. As he recovers – and consumed by guilt over the doctor’s death – he learns about the doctor’s method of charitable giving in secret and believes this could be the key to his redemption. It also leads him to a romance with the doctor’s widow (Jane Wyman), who goes from resenting him for inadvertently causing her husband’s death to needing him when tragedy intervenes…

A master class in the melodrama genre, Magnificent Obsession is a remarkable example of how to handle a soap opera with both style and class. Reworking an earlier film adaptation of the Lloyd C. Douglas novel which this film was based on, screenwriter Robert Blees jettisoned the comedic angle of the earlier 1935 version – included in this Blu-ray release – in favor for a more realistic approach in telling the story. Douglas Sirk should also be commended in keeping the plot grounded in that core of reality while adding some of his own distinctive touches to the story; some of his incisive and wry looks on society do manage to find their way through at certain points in the story. As the focal point of the distinctive “Sirk touch”, Magnificent Obsession is not only a superior melodrama but a great love story that stands out as probably the definitive film version of its source material.

In the role that helped make him a true star, Rock Hudson is a believable Bob Merrick; he would parlay this success into greater fame with his only Oscar nomination for Giant (1956) as well as the three romantic comedies he co-starred with Doris Day. Jane Wyman – who would earn the film’s lone Oscar nomination for her performance here – stands out as Helen Phillips, the woman who undergoes a similar spiritual transformation along with Bob, whom she later comes to love; Otto Kruger casts a memorable impression as the artist who introduces Bob to the charitable way of life the late Dr. Phillips led. Agnes Moorehead (Endora herself) has another scene stealing part as the nurse of Dr. Phillips’ clinic and friend of the family; Barbara Rush has a typical ingenue part as the daughter of Dr. Phillips. Other notable appearances include Gregg Palmer as Tom Masterson, Paul Cavanagh and Rudolph Anders as a couple of European doctors who are unable to operate on Helen (setting up the film’s climax), Judy Nugent as the young girl who befriends a blind Helen, Helen Kleeb as a recipient of Dr. Phillips’ charitable giving who tries to repay Helen following his death, and an uncredited Jack Kelly as a boat mechanic who witnesses the crash that propels the story (pun intended).

Video: 4.5/5

3D Rating: NA

The original 2:00:1 aspect ratio is preserved in this HD transfer of the movie. Film grain is organic throughout with fine details rendered faithfully; colors are strong and vivid with only minor issues like registry errors, dirt, scratches, dust, and tears present in the transfer. Overall, this is an improvement on the previous Criterion DVD and likely represents the best the film has and will ever look on home video.

Audio: 5/5

The original mono soundtrack is presented on a PCM audio track for this release. Dialogue is both strong and clear along with the sound mix; Frank Skinner’s score (and accompanying selections of classical music) are given great ambiance and fidelity without being too overpowering or intrusive. There’s nary an instance of issues like distortion, crackling, popping, or hissing, which means that this is likely the best the film will ever sound on home video.

Special Features: 4/5

Commentary with film scholar Thomas Doherty – Carried over from Criterion’s previous DVD release, the film scholar not only talks about the movie, but goes into some of the larger themes and connections in the era it was released as well as Douglas Sirk’s career.

Magnificent Obsession – The 1935 version – Universal’s first film adaptation of the Lloyd C. Douglas novel, starring Robert Taylor and Irene Dunne and directed by John M. Stahl, is presented on disc 2 of this release; this print of the movie runs 101 minutes, likely taken from a re-release of the movie.

From UFA to Hollywood: Douglas Sirk Remembers (1:22:36) – This 1991 documentary, taken from a 1980 interview with the director, traces his career from Germany to Hollywood as well as the distinctive directorial touches found in his works.

Core of Reality: An Interview with Screenwriter Robert Blees (19:19) – This 2009 interview has the screenwriter talking about how he approached the adaptation of the novel as well as the 1935 version that preceded it.

A Tribute to Douglas Sirk: An Interview with Filmmaker Allison Anders (9:10) – Carried over from the Criterion DVD, the filmmaker talks about the movie as well as the influence in had on her.

Beyond Melodrama: An Interview with Filmmaker Kathryn Bigelow (13:17) – Carried over from the Criterion DVD, the filmmaker not only talks about the movie, but also about an encounter she had with Douglas Sirk.

Theatrical Trailer (2:25)

Fold out with an essay by film critic Geoffrey O’Brien

Overall: 4.5/5

Magnificent Obsession has survived over the years as both a great love story and a major part of Douglas Sirk’s distinctive style in subversive melodramas. Criterion has done justice to the film by not only improving on the audio and visual quality of the previous DVD but carrying over all the legacy special features as well (the 1935 version also sports a brand new HD transfer as well). Highly recommended.

Amazon.com: Magnificent Obsession (The Criterion Collection) [Blu-ray]: Robert Taylor, Jane Wyman, Rock Hudson, Agnes Moorehead, Otto Kruger, Barbara Rush, Lucille Lamarr, Harvey Grant, Will J. White, Brad Johnson, Joseph Mell, Gregg Palmer, Paul Cavanagh, Sara Shane, Richard H. Cutting, Judy Nugent, Helen Kleeb, Rudolph Anders, Fred Nurney, John Mylong, Alexander Campbell, Mae Clarke, Joe Mell, Robert B. Williams, Will White, George Lynn, Jack Kelly, Lee Roberts, Lisa Gaye, Kathleen O’Malley, William Leslie, Lance Fuller, Brad Jackson, Myrna Hansen, Harold Dyrenforth, Norbert Schiller, Paul Levitt, Joy Hallward, Helen Winston, Gail Bonney, Charles Victor, George Brand, Jack Gargan, Jack Chefe, Robert Herron, Herschel Graham, Douglas Sirk, Ross Hunter: Movies & TV

https://www.amazon.com/Magnificent-Obsession-Criterion-Collection-Blu-ray/dp/B07RT7GS1Q/ref=sr_1_2?crid=2NMYWDWCBM5Y6&keywords=magnificent+obsession&qid=1568225917&s=movies-tv&sprefix=magn%2Caps%2C241&sr=1-2

Mychal has been on the Home Theater Forum’s reviewing staff since 2018, with reviews numbering close to 300. During this time, he has also been working as an assistant manager at The Cotton Patch – his family’s fabric and quilting supplies business in Keizer, Oregon. When not working at reviewing movies or working at the family business, he enjoys exploring the Oregon Coast, playing video games and watching baseball in addition to his expansive collection of movies on DVD, Blu-ray and UHD, totalling over 3,000 movies.

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benbess

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Although I've never seen Magnificent Obsession before, I picked it up at the recent sale price of $20. It's really two movies for the price of one, since it includes the 1935 version of the story on a separate disc. I've seen two Douglas Sirk movies previously that I enjoyed—All That Heaven Allows, and Imitation of Life—and so I have hopes for this one. The positive review above helped me press the button to buy it.

For the first few minutes I've watched so far the picture and sound quality are good....

Now that I'm getting close to the end, I can say that the story is certainly quite far-fetched, and yet somehow still compelling if you like this kind of melodrama.

As with Sirk's other movies it's a good idea to keep some Kleenex handy.

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benbess

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It was good to read in the booklet essay by Geoffrey O'Brien that comes with this Criterion set that director Douglas Sirk himself said: "This is a damned crazy story if there ever was one." Sirk is also quoted as saying "The angles are the director's thoughts. The lighting is his philosophy."

Anyway, thoughts of realism need to be set aside while watching this almost surreal and sometimes philosophical drama, which is filmed like a luxurious long-form advertisement for the high-end Buick and Mercedes convertibles that appear in the movie. It does make sense that the author of the original novel also wrote The Robe, because at times Magnificent Obsession seems like a companion piece to that movie, just set is the mid-1950s. I like how some movies of this era are about the often arduous struggles to create meaning amidst the suffering in life.

I mostly know Otto Kruger from his role in Alfred Hitchcock's 1942 thriller Saboteur, but here his role is nearly opposite. As O'Brien writes in his essay....

Hudson's drunken encounter with the artist Randolph (Otto Kruger), who indoctrinates him with the late surgeon's secret of spiritual power, is imbued with real mystery, as if some occult transference were occurring before our eyes, an effect encouraged by the somewhat Mephistophelian overtones of Kruger's performance. He is made to seem a messenger between worlds, guiding the otherwise bewildered Hudson along invisible fault lines." And as O'Brien adds in the last sentence of the essay, "And there to send us off is Kruger as the artist Randolph, poised above the operating theater like some supernatural stage manager glancing down...at the theater of the world.

Jane Wyman wanted to have the 1935 movie remade, and she is effective in this melodramatic role. Hudson also does well enough in being stunned at times by what he has done, and you can also see why this role made him a star. The film is vague about time, but the last scenes that have some grey at Hudson's temples and some age make-up around his eyes makes it clear that a number of years have passed.

I can see why some audiences in the 1950s were eager to see these two stars reunited in Sirk's All That Heaven Allows.

Picture quality is good overall, although with a couple of scenes that are less than that.


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benbess

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It's a challenge for me to try to rate Magnificent Obsession, since its unreality is simultaneously its greatest weakness and its greatest strength. But overall I have a weak spot for movies like this that are almost "so bad they are good," and so my personal rating is a B+. Interesting that Hitchcock's Rear Window opened at exactly the same time and was reviewed side by side in The New York Times.

Trying to make a list of my favorite movies of 1954, I'm finding that most of them are suffused to at least some degree and in some way with the glossy unreality that makes up the fabric of Magnificent Obsession. Magnificent Obsession does make my top 10. Overall, 1954 was a good year for movies, and I doubt there will be the same number of movies released in 2021 that I enjoy as I do the movies from the year of Magnificent Obsession. I do like a lot of the movies coming out now, but.....

my favorite movies from 1954 (as of today)
Rear Window
20,000 Leagues Under the Sea
White Christmas
A Star is Born
The Egyptian
Dial M for Murder
Magnificent Obsession
Broken Lance
Garden of Evil
Godzilla/Gojira
Seven Samurai
The Bridges at Toko-Ri
Knock on Wood
Sabrina
Vera Cruz
Brigadoon
Seven Brides for Seven Brothers
There's No Business Like Show Business
Them!
Creature from the Black Lagoon
The Far Country
Salt of the Earth
The Barefoot Contessa
On the Waterfront
The Long, Long Trailer
The Caine Mutiny
River of No Return
Johnny Guitar
Hell and High Water
Carmen Jones
The Glenn Miller Story

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Johnny Angell

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I am mixing up this film with another which I thought also starred Hudson and Wyman.
In that one, playboy Hudson causes an auto accident which blinds Wyman. Hudson studies to be a surgeon to cure her. What film is this?
 
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benbess

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Yes, that's the movie.

I like the homage to Sirk that director Todd Haynes created in the 2002 movie Far From Heaven.

 

benbess

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I've heard about this movie for probably about a quarter of a century, and I'm glad I finally saw it. The title takes on a rather different meaning once you've seen the movie, but there is also a song called Magnificent Obsession that was recorded by Nat King Cole in 1958. I don't know if the song was inspired by the hit movie or is just its own thing, but I'm guessing the latter.




By the way, the movie got to 9th place on the box office charts for 1954. And there's this little bit of trivia....

"The film opened at Loew's State Theatre in New York City on August 4, 1954. Audiences were greeted by co-star Agnes Moorehead in the lobby."

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