There is no Star Wars restoration necessary. Sit back. Relax. Breathe deeply.
All is well.
"All is well"? What is that even supposed to mean? In what regard is anything well? With respect, this doesn't address the discussion being had at all.
I beg the moderators a little leniency in allowing a small digression into Star Wars for a moment, as I promise I'll bring this back around to the original topic.
George Lucas did conform the Star Wars OCN to the Special Edition when he created that version of the movie in 1997. This is a documented fact stated in various documentaries about the creation of that cut. Future revisions may have been done in the digital realm, but the OCN as it currently exists is the 1997 SE.
If Lucasfilm also preserved other high quality copies of the original 1977 theatrical cut (and I fully believe they did), neither they nor Disney have any interest in ever releasing it to the public. Not while George Lucas is still breathing. Certainly not while Kathleen Kennedy is in charge of Lucasfilm.
If all copies of it are locked away in a salt mine vault, will my children ever see a proper presentation of the 1977 theatrical cut in their lifetime? Will my grandchildren, or great-grandchildren? Will Disney ever find financial justification to re-release that version?
I do not consider "All is well" an appropriate summary of this situation.
This brings us right back to James Cameron's treatment of True Lies, The Abyss, Aliens, and Titanic (and soon The Terminator). The OCNs for all of these movies, with their original filmic grain structure, may well be archived in perfect condition. But we'll never see them again.
Cameron has put his stamp on these new A.I. enhanced 4K masters as his "Director Approved" definitive editions of the movies, the best and ultimate and only versions he wants anyone to watch again. He's not likely to remaster them again in his lifetime, and Cameron actually has it enforced in his contracts that no one else can remaster his movies without his approval. Even after he dies, what studio would find financial incentive in going against the director's wishes to release a grainier version?
For a few of these titles, we're lucky enough to have fairly decent Blu-ray editions to fall back on. But for True Lies and The Abyss, we're stuck with virtually no alternatives to these new grainless A.I. versions except really ancient non-anamorphic letterbox DVDs.
So, no, I'm sorry, but all is not well at all.
Last edited: