on the right Burt L...on the left...R Mitchum?
on the right Burt L...on the left...R Mitchum?
I was being rhetorical because even in makeup, most of us can identify them.on the right Burt L...on the left...R Mitchum?
Don’t forget Crimson PirateYes, and Burt was no lovelier as a woman in The List of Adrian Messenger though there he was playing more of a bag lady there.
Steiger over the top? No way!I watched The Big Knife at lunchtime. I enjoyed it, and it certainly painted a black portrait of Hollywood behind-the-scenes. But it was very talky and very writery with dialogue containing metaphorical allusions that very few people in real life would use to express themselves. Palance got a really juicy leading role he could play to the hilt, probably hoping for an Oscar to match the Emmy he'd win that year for Requiem for a Heavyweight on TV. Steiger went a bit over-the-top for my taste, but Lupino, Hagen, and Winters all got nice chances to show their versatility. Loved Everett Sloane.
Naturally, the aspect ratio was all wrong. I used the LG's aspect ratio control to make it closer to what it should have been.
I’m glad I watched my Arrow Blu-ray yesterday because I would’ve been pissed to see the non-OAR TCM presentation this morning. I don’t like messing with my LG settings to accommodate a messed-up video presentation.I watched The Big Knife at lunchtime. I enjoyed it, and it certainly painted a black portrait of Hollywood behind-the-scenes. But it was very talky and very writery with dialogue containing metaphorical allusions that very few people in real life would use to express themselves. Palance got a really juicy leading role he could play to the hilt, probably hoping for an Oscar to match the Emmy he'd win that year for Requiem for a Heavyweight on TV. Steiger went a bit over-the-top for my taste, but Lupino, Hagen, and Winters all got nice chances to show their versatility. Loved Everett Sloane.
Naturally, the aspect ratio was all wrong. I used the LG's aspect ratio control to make it closer to what it should have been.
I laughed out loud with that post. Another interesting thing about Steiger in this film is that at 30 years old, he was playing a supposedly much older man.Steiger over the top? No way!
I guess they almost all looked older than what they actually were (and there are other reasons including the subject matter and mature nature of so much of the product.) Similarly, was watching the original TAKING OF PELHAM 1,2,3 last night and realized that the eternally older than he looked Walter Matthau was younger in that film than Robert Downey Jr. was in Oppenheimer!I laughed out loud with that post. Another interesting thing about Steiger in this film is that at 30 years old, he was playing a supposedly much older man.
I've always enjoyed this film. Thanks for reminding me of it. I'll make a point of re-watching it in the next few days, possible tonight if I'm in the right mood.View attachment 221128
I decided to watch my iTunes HD digital of "Born to be Bad" (1950) which I haven't seen in a number of years. Fontaine playing a femme fatale isn't a problem. However, with this particular femme fatale role in which she's playing a young woman who appears to be naive and uneducated to other people but is really a calculating and cold-hearted narcissist, I couldn't accept her in this role. Fontaine just looks too sophisticated and older to be playing a young woman in her early twenties. Furthermore, there were some plot points in the film that I just couldn't buy, particularly, the breakup between Joan Leslie and Zachary Scott. With that said, it's not a bad film and it has its moments so overall I give the movie a 3 out of 5 rating because I did enjoy much of the dialogue and the great cast of actors in it. The sexual attraction that Fontaine had for Robert Ryan was pretty enticing for such a movie filmed in 1949/1950.
I've watched it many times too but haven't done so in at least six years. It was nice watching the Blu-ray again. I always enjoyed the movie but there are some major plot holes. Agnes Moorehead is my favorite part of the film.I've watched Dark Passage so many times over the years that I doubt I'll rewatch it tomorrow, but I'll tune in for Eddie's comments. Even if he repeats the script he's used before, he's bound to add (or subtract) something, so it's worth tuning in just for that. I'm certainly a fan of the film and have no problems with most of it.
Like you I have all three iTunes digitals, if they upgraded to 4K then I would buy them on physical media for the bonus material because I enjoy listening to audio commentaries. However, they would only be purchased during some kind of sale at a reduced price. Film titles that I’m lukewarm about will most likely have me making another decision. These three movies I like very much.Robert, I have a question for you regarding today’s Kino announcement of The Country Girl, The Rose Tattoo and Come Back Little Sheba. I buy lots of Kino titles that aren’t available digitally, but these three are and I already own them on iTunes so I have no plans to buy the Blu-rays. Paramount doesn’t have the same policy as Warner Archive in regards to updating digital files, so I think it’s highly probable that the digital files will be updated to the new masters at some point even if it is not the same time the Kino discs come out. My question for you is, if Paramount were to upgrade the digital files to 4K, would you still buy the Kino Blu-rays?