DavidMiller
Screenwriter
My copy of Deadpool is waiting for me at home... Won't have time to watch it though.
Would it be fair to say adding HDR to films created before it was available as a tool for filmmakers (as noted in the difference between Spartacus and Joy in earlier posts) is somewhat akin (even if clumsily) to releasing a film with a 5.1/7.1 soundtrack, exclusively, where the original had a mono track? I can see the HDR issue as even more problematic as it cannot be solved by adding a duplicate w/o HDR on the disc, unlike the mono vs 5.1/7.1 issue, where an extra audio track is easily provided. Or perhaps I'm overthinking this issue..